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BLOODY EAST EUROPEANS

Everybody knows that all the UK’s problems are caused by Eastern European immigrants with funny names and an annoying habit of working too hard. But who exactly are these people? What do they want from us? Featuring mean gangsters, glamorous ladies, romantic bricklayers and professional toilet scrubbers, Bloody East Europeans combines comedy, tragedy, Red Army songs, Ukrainian folk ballads and 70s disco hits to tell you everything you ever wanted to know about these strange and unpronounceable people. Performed by the Molodyi Teatr, a London-based Ukrainian company. Comes with a free lesson in Eastern European.

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Bloody East Europeans had a very successful run at the Edinburgh Fringe in 2015! Almost all shows were sold out, and the audience reaction was great! We were honoured to be long-listed for the 2015 Amnesty International Freedom of Expression Award. Bloody East Europeans was also named among the most exciting shows to see at the Fringe by Edinburgh49 and todolist.org.uk. Read some of the amazing feedback from our audiences here.

Read more about Bloody East Europeans here: 

Will musical satire about eastern Europeans sway your vote on Brexit? by Imogen Blake, Ham&High, 1 April 2016: http://www.hamhigh.co.uk/etcetera/theatre/will_musical_satire_about_eastern_europeans_sway_your_vote_on_brexit_1_4478904

Migrant voices onstage in London by Molly Flynn, Open Democracy Russia, 8 October 2015: https://www.opendemocracy.net/od-russia/molly-flynn/migrant-voices-onstage-in-london

Life’s a stage: exploring documentary theatre’s role in the new east by Samuel Goff, The Calvert Journal, 5 October 2015: http://calvertjournal.com/articles/show/4769/lifes-a-stage-exploring-documentary-theatres-role-in-the-new-east

Documentary theatre series in London to highlight immigration and social inequality by James Lillywhite, A Young Theatre, 25 September 2015: http://www.ayoungertheatre.com/documentary-theatre-series-in-london-to-highlight-immigration-and-social-inequality/

DISMANTLING EAST EUROPEAN-NESS ONSTAGE. Community theatre group Molodyi teatr questions and deconstructs what it means to be an East European migrant in London by Darya Malyutina, Political Critique, 23 September 2015: http://politicalcritique.org/culture/2015/dismantling-east-european-ness-onstage/

Bloody East Europeans by Uilleam Blacker and Olesya Khromeychuk. 

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THE OTHER HALF OF THE MAIDAN

Performed at AUGB London, Holland Park, 2015.

This verbatim performance was based on powerful eyewitness accounts collected by Molodyi Teatr director Olesya Khromeychuk during her trip to Ukraine to research women’s roles in the Maidan protests and the subsequent war in eastern Ukraine.

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UKRAINIAN CHRISTMAS VERTEP

Various venues, December-January 2014-2015

Each year Molodyi Teatr presents its own tongue-in-cheek take on the traditional Ukrainian Christmas play – not without the odd reference to contemporary politics!

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HOLODOMOR REMEMBRANCE DAY PERFORMANCE

Performed at the Ukrainian Institute, London, November 2013

This verbatim play, performed in English, Russian and Ukrainian, drew on testimonies of survivors of the 1932-33 artificial famines in the USSR, which killed millions of people in Ukraine and in other parts of the Soviet Union.

You can find the testimonies we used at the website Share the Story here.

THE DREAM (SON) by TARAS SHEVCHENKO

Performed at AUGB London, Holland Park, March 2013

Molodyi Teatr’s innovative adaptation of Taras Shevchenko’s classic poem The Dream, a biting satire of imperialism, oppression and a hymn to hope and freedom.

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BATIARY – Loveable Rogues from L’viv

AUGB London, February 2013

We presented our own musical sketch about the legendary loveable rogues of the streets of L’viv/Lwów/Lemberg, who are well known in Polish and Ukrainian urban folklore. Featuring original 1930s songs.

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CELEBRATION OF ARTISTIC RESISTANCE

Performed at AUGB London, December 2012

Molodyi Teatr presented a dramatic interpretation of a selection of songs and poems by Ukrainian, Russian and Jewish writers who in their own ways resisted or protested against oppression and violence. Authors represented included Vasyl Stus, Lina Kostenko, Evgeny Evtushenko and Hayim Nahman Bialik.

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MY LANGUAGE

AUGB London, September 2012

A short, experimental ‘wordless’ performance about language, identity and belonging.

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BURNS NIGHT AT THE UKRAINIAN INSTITUTE

Ukrainian Institute, London, February 2012

Molodyi Teatr put on an evening of food, song and poetry dedicated to the great Robert Burns, with readings and singing in Scots, Ukrainian, Russian, Polish, French and possibly a few other languages. Haggis and whiskey rounded off the evening. See here for more information.

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THE LOST LETTER (PROPALA HRAMOTA) by NIKOLAI GOGOL (MYKOLA HOHOL)

Performed at AUGB London and the Ukrainian Institute, December 2011.

Our take on the short story by Nikolai Gogol, and based loosely on the script of the classic 1972 Borys Ivchenko film. A group of hapless Cossacks risks life and limb, encounters the devil, and drinks a lot of vodka on a fantastical, absurd journey through Ukraine to deliver a letter to the Empress.

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UKRAINIAN INDEPENDENCE DAY PERFORMANCE – CONTEMPORARY UKRAINIAN POETS

AUGB London, August 2011

A show made up of some of the best works by contemporary Ukrainian poets, including Serhii Zhadan, Iurii Andrukhovych, Viktor Neborak and Oleksandr Irvanets’, including our interpretations of the great songs of the Ukrainian band Braty Hadiukiny.

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THE NIGHT BEFORE CHRISTMAS (NICH PERED RIZDVOM) by NIKOLAI GOGOL (MYKOLA HOHOL)

Various venues, 2010-2011.

Our take on Gogol’s classic Christmas story, featuring all kinds of Cossacks, witches and devils.

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